<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-310454435419294929</id><updated>2012-02-01T14:36:51.406-05:00</updated><category term='Beatles'/><category term='731/2010'/><category term='David Ascalon'/><category term='Antiquities'/><category term='Cultural Heritage'/><category term='Egypt'/><category term='Restitution'/><category term='ansel adams'/><category term='Cultural Property'/><category term='Larry Gagosian'/><category term='forgeries'/><category term='U.K.'/><category term='Native American Art'/><category term='Online'/><category term='Displaced ARt'/><category term='Costa Rica'/><category term='art'/><category term='Film'/><category term='auction'/><category term='Louvre'/><category term='art history'/><category term='Christies'/><category term='Robert Motherwell'/><category term='WIPO'/><category term='9/11 Foundation; Jon Stewart; Museum'/><category term='Museum of Modern Art New York'/><category term='Cassirer'/><category term='Patrick Cariou'/><category term='VARA'/><category term='Trademark'/><category term='National Portrait Gallery'/><category term='Fraud'/><category term='Hermann-Neisse'/><category term='IP'/><category term='Schiele'/><category term='George Grosz'/><category term='labor law'/><category term='French law'/><category term='ISPs'/><category term='Fair Use'/><category term='FSIA'/><category term='International'/><category term='Right of Publicity'/><category term='MoMA'/><category term='New York'/><category term='statute of limitations'/><category term='authentication'/><category term='Hawass'/><category term='graffiti'/><category term='Clooney'/><category term='Richard Prince'/><category term='Edsel'/><category term='NYState'/><category term='Museum'/><category term='Monuments Men'/><category term='Denver Art Museum'/><category term='Seger-Thomscitz'/><category term='Indian Arts and Crafts Act of 1990'/><category term='cultural elitism'/><category term='Costner'/><category term='Deaccessioning'/><category term='Spain'/><category term='Dowd'/><category term='ACTA'/><category term='Repatriation'/><category term='Movies'/><category term='Iraq'/><category term='Preska'/><category term='Pissarro'/><category term='Cyprus'/><category term='Picasso'/><category term='Julian Falt'/><category term='Technology'/><category term='The Dedalus Foundation'/><category term='Boy George'/><category term='Pre-Colombian'/><category term='Basquiat'/><category term='Poland'/><category term='Culture Wars'/><category term='Kokoschka'/><category term='Brooklyn Museum'/><category term='Loans'/><category term='Michel van Rijn'/><category term='MFA'/><category term='DMCA'/><category term='Salander O&apos;Reilly Galleries'/><category term='Portrait of Wally'/><category term='slander'/><category term='International Council of Museums'/><category term='Libya'/><category term='Infringement'/><category term='UN'/><category term='Sublime'/><category term='Succession'/><category term='Seminar'/><category term='art dealers'/><category term='Copyright'/><category term='Kinetica Art Fair'/><category term='Rowland'/><category term='Leopold'/><category term='Music'/><category term='Human Rights'/><category term='Thyssen-Bornemisza'/><category term='Bisons'/><category term='seizure'/><category term='Fairey'/><category term='litigation'/><category term='Visual Artists Rights Act'/><category term='Authentication Committee'/><category term='Babylon'/><category term='The Three Graces'/><category term='Google'/><category term='Business'/><category term='Musee Picasso'/><category term='Moot Court'/><category term='National Stolen Art File'/><category term='VIP Art Fair'/><category term='Icon'/><category term='ICE'/><category term='Dance'/><category term='Detmers'/><category term='Moot'/><category term='SAFE'/><category term='Nazi'/><title type='text'>Cardozo Art Law</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://cardozoartlawsociety.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default?start-index=101&amp;max-results=100'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>446</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-348530174065093117</id><published>2012-02-01T10:54:00.001-05:00</published><updated>2012-02-01T10:56:16.259-05:00</updated><title type='text'>Hirst not Hirst: Dealer Pleads Guilty to Forging Art Appraisal Documents</title><summary type='text'>On January 12, 2012, Richard Silver of Manhattan, admitted to buying online a set of prints depicting ... dots, for about $40,000. He resold them for $84,000 to other collectors in the United States, Canada, and Britain. How did he do that? Well, he had the works appraised and made a few changes to the documents. Silver did not know they were not by Damien Hirst, but he thought they were, or </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/348530174065093117'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/348530174065093117'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/02/hirst-not-hirst-dealer-pleads-guilty-to.html' title='Hirst not Hirst: Dealer Pleads Guilty to Forging Art Appraisal Documents'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3778054376354755544</id><published>2012-02-01T01:42:00.000-05:00</published><updated>2012-02-01T01:42:18.143-05:00</updated><title type='text'>The Kunstmuseum Basel and Malevich Heirs Settle</title><summary type='text'>In a joint press release dated January 20, 2012, the              heirs of the famous Russian artist Kazimir Malevich (1878-1935), the Kunstmuseum Basel and the Government of the Canton of              Basel-Stadt announced terms of a settlement agreement resolving the              Heirs’ claim to works by Malevich (two gouaches “Landscape with Red              Houses” and “The Washing Woman” and</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3778054376354755544'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3778054376354755544'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/02/kunstmuseum-basel-and-malevich-heirs.html' title='The Kunstmuseum Basel and Malevich Heirs Settle'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5217800897555916226</id><published>2012-02-01T01:19:00.000-05:00</published><updated>2012-02-01T01:19:13.484-05:00</updated><title type='text'>Madison Avenue Art Dealer Faces Fraud Charges</title><summary type='text'>On January 22, 2012, Robert Scott  Cook, a Madison Avenue art dealer, was charged for allegedly defrauding a client of 16 artworks by  Picasso, Manet, Matisse, Renoir and others worth more than $4.2 million.  Cook, a principle of Cook Fine Art (2005-2011),  sold watercolors, drawings and photographs to galleries and  auction houses behind the owner’s back for years.  Sales took place over a </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5217800897555916226'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5217800897555916226'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/02/madison-avenue-art-dealer-faces-fraud.html' title='Madison Avenue Art Dealer Faces Fraud Charges'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4075483734421174285</id><published>2012-02-01T01:08:00.000-05:00</published><updated>2012-02-01T01:08:35.311-05:00</updated><title type='text'>Dealer Seeks Return of Plumed Artifacts</title><summary type='text'>A five-year investigation into artifacts dealer Christopher Kortlander's museum resulted in a raid and allegations that he was dealing in fraudulent artifacts and feathers in violation of federal law. Authorities seized a trove of war bonnets, medicine bags and other items. Subsequently, no charges were ever filed, and most of the items seized during the raids have been returned.

Most but not </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4075483734421174285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4075483734421174285'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/02/dealer-seeks-return-of-plumed-artifacts.html' title='Dealer Seeks Return of Plumed Artifacts'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2277811205931283864</id><published>2012-01-25T22:00:00.003-05:00</published><updated>2012-01-25T23:01:08.440-05:00</updated><title type='text'>Underwater Controversy: An Amendment to the Alabama Cultural Resource Act Sparks Heated Debate</title><summary type='text'>
A proposed amendment to the Alabama Cultural Resources Act may give relic-hunters easier access to artifacts lying beneath the surface of the state’s rivers, lakes, and bays. In Montgomery, Alabama Senator Cam Ward has introduced a bill to amend the Act, currently requiring underwater explorers to obtain a permit from the Alabama Historical Commission before diving in search of underwater </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2277811205931283864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2277811205931283864'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/01/underwater-controversy-amendment-to.html' title='Underwater Controversy: An Amendment to the Alabama Cultural Resource Act Sparks Heated Debate'/><author><name>agreenberg</name><uri>http://www.blogger.com/profile/15775054903691933736</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-n-HQ3TwZc-g/TyDB_iFbQOI/AAAAAAAAACA/CWeu9JDJYRg/s72-c/Ancient%2Bunderwater%2Bguns.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1597275719316648773</id><published>2012-01-25T21:49:00.005-05:00</published><updated>2012-02-01T14:36:51.449-05:00</updated><title type='text'>Italy Returns Ancient Statue to Libya</title><summary type='text'>Italian Prime Minister Mario Monti returned the head of a two thousand year old sculpture to Libyan authorities in Tripoli during his visit to the country this past Saturday, January 21. The piece depicts Domitilla Minor, the daughter of the Roman emperor Vespasian. It was smuggled from the northwestern city of Sabratha in the 1960s and was recently auctioned at Christie’s. This was the Italian </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1597275719316648773'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1597275719316648773'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/01/italy-returns-ancient-statue-to-libya.html' title='Italy Returns Ancient Statue to Libya'/><author><name>agreenberg</name><uri>http://www.blogger.com/profile/15775054903691933736</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7886876031855966786</id><published>2012-01-24T23:45:00.001-05:00</published><updated>2012-01-24T23:47:45.735-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Basquiat'/><category scheme='http://www.blogger.com/atom/ns#' term='Authentication Committee'/><title type='text'>Authentication Committees Disband: Warhol 2011, Basquiat 2012, Who’s Next?</title><summary type='text'>On January 7, 2012, the Authentication Committee of the estate of Jean-Michel Basquiat (1960 - 1988) ("The Committee") announced its intention to disband next September. Basquiat, an influential Neo-expressionist artist, died at the age of 27, months after the passing of Andy Warhol (1928 - 1987). The two artists collaborated on numerous paintings together. Each left an important legacy, and </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7886876031855966786'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7886876031855966786'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/01/authentication-committees-disband.html' title='Authentication Committees Disband: Warhol 2011, Basquiat 2012, Who’s Next?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-ukUwIc57mzs/Tx9x_L46P-I/AAAAAAAANMA/QA8PYybq4Dk/s72-c/Edited+JPB.png.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4232913588446395743</id><published>2012-01-22T19:01:00.002-05:00</published><updated>2012-01-22T19:03:42.482-05:00</updated><title type='text'>Italian Trial of Robert Hecht Concludes with No Verdict</title><summary type='text'>The six-year trial of antiquities dealer Robert Hecht, aged 91, has ended on an anti-climactic note. Throughout a successful career beginning in the 1950s, Hecht supplied the world’s museums, collectors, and dealers with exquisite examples of Greek, Roman, and Etruscan art. However, he was also continually dogged by accusations that his artifacts were of dubious origin, smuggled from their </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4232913588446395743'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4232913588446395743'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/01/italian-trial-of-robert-hecht-concludes_3233.html' title='Italian Trial of Robert Hecht Concludes with No Verdict'/><author><name>agreenberg</name><uri>http://www.blogger.com/profile/15775054903691933736</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-fwfMcwhF4-4/Txyjpsp_mcI/AAAAAAAAABo/vCxcsR2nRSU/s72-c/21hech.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7435342025137901518</id><published>2012-01-18T11:04:00.001-05:00</published><updated>2012-01-18T11:05:51.264-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Edsel'/><category scheme='http://www.blogger.com/atom/ns#' term='Monuments Men'/><category scheme='http://www.blogger.com/atom/ns#' term='Clooney'/><title type='text'>Clooney buys the rights to Edsel's "The Monuments Men"</title><summary type='text'>George Clooney's new directorial project is based on Robert M Edsel's The Monuments Men: Allied  Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History. It is an  account of government efforts to retrieve artworks stolen by the Nazis  during World War II. The Monuments Men were "a group of 345 or so men and women from thirteen nations who comprised the Monuments, Fine Arts, and Archives </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7435342025137901518'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7435342025137901518'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/01/clooney-buys-rights-to-edsels-monuments.html' title='Clooney buys the rights to Edsel&apos;s &quot;The Monuments Men&quot;'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Qw196qCVbNI/TxbtVN7Cw1I/AAAAAAAANKI/ivQL2l32AiQ/s72-c/For+Website.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8824667983933473764</id><published>2012-01-14T14:13:00.000-05:00</published><updated>2012-01-14T14:14:07.967-05:00</updated><title type='text'>Forgery and Fraud in the Art Market, As Usual</title><summary type='text'>At the end of October, ArtInfo reported that "One of the world's largest art forgery scandals" had ended in a Cologne courtroom when Wolfgant Beltracchi, leader of a forgery ring, was sentenced to six years in prison.  But putting Beltracchi behind bars has not put forgery in the art world to rest.  On December 1, 2011, Pierre Lagrange filed suit against an already beleaguered Knoedler Gallery </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8824667983933473764'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8824667983933473764'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/01/forgery-and-fraud-in-art-market-as.html' title='Forgery and Fraud in the Art Market, As Usual'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1352647609881452942</id><published>2012-01-09T23:27:00.000-05:00</published><updated>2012-01-09T23:27:49.108-05:00</updated><title type='text'>A Museum "Tax" in Boston?</title><summary type='text'>The Mayor of Boston, Thomas Menino, has announced plans for a new Payment in Lieu of Taxes scheme ("PILOT").  Under the scheme, non-profit organizations are tax-exempt but must pay certain amounts toward City services in order to retain certain privileges that come with their non-profit status.  Organizations that will be affected by the revised rules include museums, universities, and even </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1352647609881452942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1352647609881452942'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2012/01/museum-tax-in-boston.html' title='A Museum &quot;Tax&quot; in Boston?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6347739086147938092</id><published>2011-12-21T15:06:00.001-05:00</published><updated>2011-12-21T15:07:21.612-05:00</updated><title type='text'>T&amp;E Gift: Family divided over an art loan and museum plans</title><summary type='text'>French-born American artist, Armand Pierre Fernandez  (1928–2005), known as Arman, was an influential 20th century sculptor.  His widow, Corice Arman, wishes to open a a museum in the south of France devoted to his work, what could be less contradictory than that? Well, the plans to open the museum are in jeopardy because the sculptor’s  daughter and sister have objections.

“It’s  public </summary><link rel='related' href='http://www.theartnewspaper.com/articles/Arman+family+divided/25149' title='T&amp;E Gift: Family divided over an art loan and museum plans'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6347739086147938092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6347739086147938092'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/12/t-gift-family-divided-over-art-loan-and.html' title='T&amp;E Gift: Family divided over an art loan and museum plans'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7982205870231323210</id><published>2011-12-21T14:51:00.001-05:00</published><updated>2011-12-21T15:09:49.242-05:00</updated><title type='text'>Intl Law Gift: Israeli museum refuses to return WWII spoils</title><summary type='text'>Dutch News reported that the Israel Museum in Jerusalem is refusing to return a Tora cover stolen by the Nazis during World War II to the Jewish community in Leiden, Netherlands. According to the report, the 17th century cover for religious scrolls has been at the centre of a dispute over ownership for years and the Leiden community now hope the Dutch government will get involved, the paper says.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7982205870231323210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7982205870231323210'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/12/israeli-museum-refuses-to-return-wwii.html' title='Intl Law Gift: Israeli museum refuses to return WWII spoils'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6743998345722878551</id><published>2011-12-21T14:44:00.000-05:00</published><updated>2011-12-21T14:44:33.874-05:00</updated><title type='text'>Warhol Foundation Urges Protection for Appropriation Art as Experts Debate</title><summary type='text'>
@font-face {
  font-family: "Times New Roman";
}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }a:link, span.MsoHyperlink { color: blue; text-decoration: underline; }a:visited, span.MsoHyperlinkFollowed { color: purple; text-decoration: underline; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }</summary><link rel='related' href='http://www.warholfoundation.org/foundation/44_detail.html?page=0' title='Warhol Foundation Urges Protection for Appropriation Art as Experts Debate'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6743998345722878551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6743998345722878551'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/12/warhol-foundation-urges-protection-for.html' title='Warhol Foundation Urges Protection for Appropriation Art as Experts Debate'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-N9yjTuQkSUo/TvI29MhxHzI/AAAAAAAANJ8/GZpJ-kEZIN0/s72-c/Screen+shot+2011-12-21+at+2.43.22+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1717923055605493105</id><published>2011-12-06T10:00:00.001-05:00</published><updated>2011-12-22T10:10:35.603-05:00</updated><title type='text'>Everybody is a Critic but Scrapping Decisions Better Made by Artists and Collectors</title><summary type='text'>Christopher A. Marinello, Executive Director &amp; General Counsel at the Art Loss Register and Jerome Hasler, Student at the Courtauld Institute and Intern at The Art Loss Register have written about the rise in the value of metal prices that accelerates loss of public sculptures.

Here is an excerpt: "Every morning on their way to the Notting Hill tube, many run into (sometimes literally) Nadim </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1717923055605493105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1717923055605493105'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/12/everybody-is-critic-but-scrapping.html' title='Everybody is a Critic but Scrapping Decisions Better Made by Artists and Collectors'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2902375661120700625</id><published>2011-12-06T09:47:00.002-05:00</published><updated>2011-12-06T09:55:56.820-05:00</updated><title type='text'>Homeland Security IDs Greek Cultural Property for Import Restrictions</title><summary type='text'>
On December 1, 2011, Federal Register published the final rule on import restrictions imposed on Certain Archaeological and Ethnological Materials from Greece. The report was approved by the commissioner of the U.S. Customs and Border Protection (CBP) under the Department of Homeland Security and the Deputy Assistant Secretary of the Department of the Treasury. 

The Designated List of  Material</summary><link rel='related' href='http://www.gpo.gov/fdsys/pkg/FR-2011-12-01/html/2011-30905.htm' title='Homeland Security IDs Greek Cultural Property for Import Restrictions'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2902375661120700625'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2902375661120700625'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/12/homeland-security-identify.html' title='Homeland Security IDs Greek Cultural Property for Import Restrictions'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vd_AR8mQO5Q/Tt4oXcnSSbI/AAAAAAAAM8w/68yYe3eewKM/s72-c/IMG_1612.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-929838658180903436</id><published>2011-12-06T00:24:00.001-05:00</published><updated>2011-12-21T11:49:11.797-05:00</updated><title type='text'>UPDATED: Knoedler &amp; Co: thanks for ALL the memories</title><summary type='text'>
After 165 in business, Knoedler &amp; Co gallery is now closed. The website for the gallery has the following announcement “It is with  profound regret that the owners of Knoedler Gallery announce its  closing, effective today. This was a business decision made after  careful consideration over the course of an extended period of time.  Gallery staff will assist with an orderly winding down of </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/929838658180903436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/929838658180903436'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/12/knoedler-co-thanks-for-all-memories.html' title='UPDATED: Knoedler &amp; Co: thanks for ALL the memories'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-yRSinkTH5z4/Tt2hnplSccI/AAAAAAAAM8o/4HBX9acqbOI/s72-c/Screen+shot+2011-12-7.png.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5707834337551262610</id><published>2011-12-05T23:45:00.001-05:00</published><updated>2011-12-05T23:49:24.336-05:00</updated><title type='text'>Wine Steward Accused of Art Theft</title><summary type='text'>"The best things in life are free, but you can keep them for the birds and bees..." One Mark Lugo, a wine steward is suspected of bicoastal art-theft spree. He did take a few bottles of wine that did not belong to him also. In October, Lugo plead guilty to grand theft for the San Francisco  heist of a $275,000 Picasso. Having served a 138-day sentence in California, he plead not guilty to grand </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5707834337551262610'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5707834337551262610'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/12/high-priced-wine-and-high-priced-art-do.html' title='Wine Steward Accused of Art Theft'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Uw1pgl5uMfs/TsbFPPbSWwI/AAAAAAAAMoA/ont2bQ5oruY/s72-c/IMG_6347.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4361880899316044476</id><published>2011-11-29T09:17:00.000-05:00</published><updated>2011-11-29T09:17:21.335-05:00</updated><title type='text'>Art Fraud Case ends with a Six-Year Sentence</title><summary type='text'>Remember her? some $1.35 million painting, "Portrait of a Girl" by Jean-Baptiste-Camille Corot, painter of the Barbizon school in France? She was purchased by Thomas Doyle in 2010 for a reported $775,000 and became a pawn in a scheme to defraud another art investor, Gary Fitzgerald, of $880,000. Doyle had led this investor believe that he would resell the artwork for $1.7 million but instead, he </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4361880899316044476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4361880899316044476'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/art-fraud-case-ends-with-six-year.html' title='Art Fraud Case ends with a Six-Year Sentence'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5002714961533154595</id><published>2011-11-29T00:25:00.000-05:00</published><updated>2011-11-29T00:25:42.128-05:00</updated><title type='text'>In US v. Khouli, Leave to Attend a Coin Show Sought and Granted</title><summary type='text'>Cultural Heritage Lawyer, Rick St. Hilaire is closely following the US v. Khouli case. He noted that
the US District Court for the Eastern District of New York held a status conference in the criminal matter of Khouli, an antiquities trafficking matter, on November 17, 2011. A federal grand jury in New York alleged that Khouli's antiquities trafficking ring conspired "to smuggle ancient artifacts</summary><link rel='related' href='http://culturalheritagelawyer.blogspot.com/2011/11/status-conference-held-in-case-of-us-v.html' title='In US v. Khouli, Leave to Attend a Coin Show Sought and Granted'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5002714961533154595'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5002714961533154595'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/in-us-v-khouli-leave-to-attend-coin.html' title='In US v. Khouli, Leave to Attend a Coin Show Sought and Granted'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6418682023221775177</id><published>2011-11-28T23:56:00.000-05:00</published><updated>2011-11-28T23:56:37.343-05:00</updated><title type='text'>Libya's antiquities department recovers and displays looted Roman antiquities</title><summary type='text'>Arab Spring has not been too gentle to cultural heritage. Not surprising, some artifacts have been stolen in the aftermath of Libyan civil war. It has been reported by the new Libyan leaders that "Moammar Gadhafi's forces tried to flee Tripoli with a sack of ancient Roman artifacts in hopes of selling them abroad to help fund their doomed fight. These objects were recovered and are currently on </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6418682023221775177'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6418682023221775177'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/libyas-antiquities-department-recovers.html' title='Libya&apos;s antiquities department recovers and displays looted Roman antiquities'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1218490560208955686</id><published>2011-11-21T17:03:00.000-05:00</published><updated>2011-11-21T17:03:37.075-05:00</updated><title type='text'>Getty on Folios from Zeytun Gospel -- To Return or Not To Return?</title><summary type='text'>In 1994, the J. Paul Getty Museum bought eight pages belonging to an Armenian medieval illuminated manuscript known as the Zeyt'un Gospels. Reported purchase price was just under $1 million. According to Elizabeth Morrison, the Getty's acting senior curator of  manuscripts, nobody asked questions about the legitimacy of the folios' ownership until the mid 2000s, and that the level of due </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1218490560208955686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1218490560208955686'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/getty-on-folios-from-zeytun-gospel-to.html' title='Getty on Folios from Zeytun Gospel -- To Return or Not To Return?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1658458590298777691</id><published>2011-11-21T16:47:00.001-05:00</published><updated>2011-11-21T23:04:37.401-05:00</updated><title type='text'>What should we do with "our" antiquities?</title><summary type='text'>In the latest issue of the Art Newspaper, Erica Cooke asks on behalf of the museums and collectors, "What should we do with "our" antiquities?" The question is posed on the five-year anniversary of the commencement of Marion True trial in Rome. To remind the readers, True, the former antiquties curator of the Getty museum was accused of conspiracy to receive  illegally excavated antiquities. The </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1658458590298777691'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1658458590298777691'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/what-should-we-do-with-our-antiquities.html' title='What should we do with &quot;our&quot; antiquities?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3292722570200741914</id><published>2011-11-21T16:24:00.000-05:00</published><updated>2011-11-21T16:24:55.056-05:00</updated><title type='text'>Artifact Case Ends in Probation Order, Lesson Learned?</title><summary type='text'>In 2009, David A. Lacy, a school teacher, was indicted  on nine counts of selling, stealing or offering to sell a number of  archeological artifacts taken in violation of  the Native American Graves Protection and Repatriation Act (NAGPRA).

He pleaded guilty to selling Native American artifacts and was sentenced to probation in U.S. District Court on November 18, 2011. As a condition of the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3292722570200741914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3292722570200741914'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/artifact-case-ends-in-probation-order.html' title='Artifact Case Ends in Probation Order, Lesson Learned?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4358111514915521926</id><published>2011-11-08T14:23:00.000-05:00</published><updated>2011-11-08T14:23:25.239-05:00</updated><title type='text'>Two Hundred Years' Prequel to a Legal Battle</title><summary type='text'>According to a BBC report, France has laid claim to a 17th Century painting displayed by a London gallery, the Weiss Gallery, at an art fair in Paris. The painting in dispute is a Nicolas Tournier's The Carrying of the Cross which was purchased in 2010 for 400,000 euros ($550,000)  at the Maastricht art fair.

The French government alleges it stolen for nearly 200 years from a chapel in Toulouse,</summary><link rel='related' href='http://www.bbc.co.uk/news/world-europe-15628011' title='Two Hundred Years&apos; Prequel to a Legal Battle'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4358111514915521926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4358111514915521926'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/two-hundred-years-prequel-to-legal.html' title='Two Hundred Years&apos; Prequel to a Legal Battle'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3752469194853801241</id><published>2011-11-06T18:44:00.002-05:00</published><updated>2011-11-06T19:05:16.461-05:00</updated><title type='text'>The Hunt for the Benghazi Treasure</title><summary type='text'>On May 25, 2011 the "Benghazi Treasure" was looted from a bank vault in Libya. The "treasure" had been returned to Libya from Italy in 1961. Although there was documentation of the items returned, no photographs were taken. Now, this is problematic because it will be difficult to prove provenance on items such as individual coins. It is suspected that up to 500 coins and other artifacts have been</summary><link rel='related' href='http://www.theartnewspaper.com/articles/Interpol-confirms-Libyan-treasure-was-looted/24900' title='The Hunt for the Benghazi Treasure'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3752469194853801241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3752469194853801241'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/hunt-for-benghazi-treasure.html' title='The Hunt for the Benghazi Treasure'/><author><name>Melissa Sink</name><uri>http://www.blogger.com/profile/08843877585065573710</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3083947266778817461</id><published>2011-11-01T14:07:00.003-04:00</published><updated>2011-11-01T14:28:59.155-04:00</updated><title type='text'>Chinese Artist Ai Weiwei is back in the news</title><summary type='text'>The Chinese artist, who was held at an undisclosed location earlier this year, is back in the news for tax evasion. Previously, Weiwei, an artist critical of the Chinese government, was released after 81 days of detention.  In his bail agreement, he was to stay off twitter and to remain in the capital for a year. However, in August he began posting on twitter and published an article in Newsweek.</summary><link rel='related' href='http://www.nytimes.com/2011/11/02/world/asia/dissident-artist-says-china-is-seeking-2-4-million-in-back-taxes.html?ref=arts' title='Chinese Artist Ai Weiwei is back in the news'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3083947266778817461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3083947266778817461'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/11/chinese-artist-ai-weiwei-is-back-in.html' title='Chinese Artist Ai Weiwei is back in the news'/><author><name>Melissa Sink</name><uri>http://www.blogger.com/profile/08843877585065573710</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-9053523080592030007</id><published>2011-10-31T22:54:00.000-04:00</published><updated>2011-10-31T22:54:27.764-04:00</updated><title type='text'>UNESCO saves US $60 million (for the arts) -- Trick or Treat</title><summary type='text'>Have you heard? On October 31, 2011, a day better known as Halloween, UNESCO or United Nations Educational, Scientific and Cultural Organization, announced its plans to admit Palestine as a member state. The vote that took place in favor of admitting Palestine triggering the US law barring funding to this UN body. As reported, "The UNESCO action triggered U.S. laws from the early 1990s that bar  </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9053523080592030007'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9053523080592030007'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/unesco-saves-us-60-million-for-arts.html' title='UNESCO saves US $60 million (for the arts) -- Trick or Treat'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3954974750416968045</id><published>2011-10-27T20:09:00.009-04:00</published><updated>2011-10-31T11:30:58.046-04:00</updated><title type='text'>Back to Russia with Love: Icons return to the Church</title><summary type='text'>Recently, businessman Sergei Shmakov donated more than 70 icons to the Russian Orthodox Church.  The icons, that were removed from Russia during the Bolshevik Revolution and World War II,  took him on a search around the globe. The Russian cultural minister Alexander Avdeyev accompanied Shmakov on some of his trips. Last November, a law supported by Avdeyev passed that "called for the return of </summary><link rel='related' href='http://www.theartnewspaper.com/articles/Russian-businessman-donates-70-icons-worth-around-$1m-to-the-Church/24885' title='Back to Russia with Love: Icons return to the Church'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3954974750416968045'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3954974750416968045'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/back-to-russia-with-love-icons-return.html' title='Back to Russia with Love: Icons return to the Church'/><author><name>Melissa Sink</name><uri>http://www.blogger.com/profile/08843877585065573710</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-501082032638135966</id><published>2011-10-25T09:20:00.001-04:00</published><updated>2011-10-25T09:20:01.052-04:00</updated><title type='text'>Suit to Follow: preemptive court declaration sought for Renoir</title><summary type='text'>The title to Pierre-Auguste Renoir's "Paysage de Cagnes" is now being challenged after hanging on the wall of a home in Lake Forest, Illinois for over 50 years.  The Korhumels proudly displayed their painting after purchasing it from the Hammer Galleries in New York in 1956.  The executor of the couple's estate began talks with Christie's at the beginning of this year about the possibility of </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/501082032638135966'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/501082032638135966'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/suit-to-follow-preemptive-court.html' title='Suit to Follow: preemptive court declaration sought for Renoir'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5176814258481688394</id><published>2011-10-24T00:36:00.001-04:00</published><updated>2011-10-24T07:31:14.528-04:00</updated><title type='text'>Will the Real Andy Warhol Please Stand Up: the Authentication Board to shut down</title><summary type='text'>The Andy Warhol Foundation has announced that the Art Authentication Board will shut down in early 2012.  The announcement comes about a year after the lawsuit, brought against the Foundation by collector Joe Simon-Whelan, had finally ended.  Although the Foundation was successful in its defense, its practices have come under intense criticism.  Further, the Foundation spent over $7 million </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5176814258481688394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5176814258481688394'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/will-real-andy-warhol-please-stand-up.html' title='Will the Real Andy Warhol Please Stand Up: the Authentication Board to shut down'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6620556291800613632</id><published>2011-10-23T23:11:00.001-04:00</published><updated>2011-10-23T23:14:25.515-04:00</updated><title type='text'>Legal Lense on Culinary Business</title><summary type='text'>Ewa-Marie Rundquis, Stockholm-based  photographer, sued German-owned Vapiano SE and its U.S. subsidiaries, Vapiano  International and Vapiano Franchise USA, alleging that her copyright-protected works were reproduced without her permission and used as decorations in franchised restaurants throughout the  United States and around the world. 
    According to the Courthouse News Service, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6620556291800613632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6620556291800613632'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/art-of-culinary-law.html' title='Legal Lense on Culinary Business'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-917414437956077500</id><published>2011-10-23T21:51:00.004-04:00</published><updated>2011-10-26T09:58:15.036-04:00</updated><title type='text'>Resale Royalties: from CA to NY</title><summary type='text'>Many works of visual art are so unique that exact reproduction is nearly impossible, which sets them apart from other copyrightable works.  For example, literary works can be photocopied, and musical works can be uploaded and downloaded.  Whereas a writer sells a literary work for an initial print run, a visual artist sells only one physical copy.  Once that physical copy is gone, an artist can </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/917414437956077500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/917414437956077500'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/resale-royalties-from-ca-to-ny.html' title='Resale Royalties: from CA to NY'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-777466942926038305</id><published>2011-10-20T22:32:00.002-04:00</published><updated>2011-10-20T22:35:06.190-04:00</updated><title type='text'>Branded not Motherwell</title><summary type='text'>Do art historians know how many "Spanish Elegies" Motherwell produced? While the well is not running dry yet, one of the paintings attributed to the great American artist is now truly worthless. 
The New York Times reported that a forged Robert Motherwell painting was branded with the equivalent of a  scarlet letter in a legal settlement involving three art  galleries and the Dedalus Foundation, </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/777466942926038305'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/777466942926038305'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/from-priceless-to-worthless-another-one.html' title='Branded not Motherwell'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-K8s1_nHd0nE/Tph3qQO8iOI/AAAAAAAALaM/omXZb7V53tY/s72-c/Motherwells.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-9010556870823203576</id><published>2011-10-19T23:28:00.000-04:00</published><updated>2011-10-19T23:28:45.471-04:00</updated><title type='text'>Art Theft – A Sexy Crime?</title><summary type='text'>There is no denying that art theft is steadily on the rise, now worth over $6 billion annually worldwide.  Montreal, Quebec, now too is known for being a hotbed of art crime, alone worth $20 million annually and a portal for art thieves to transfer loot to major art markets around the world, particularly New York.

While Toronto is the locale for the country’s art market, Quebec is the only city </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9010556870823203576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9010556870823203576'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/art-theft-sexy-crime.html' title='Art Theft – A Sexy Crime?'/><author><name>Lindsey Friedman</name><uri>http://www.blogger.com/profile/09515224096085667452</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5083186104363958748</id><published>2011-10-18T14:57:00.011-04:00</published><updated>2011-10-18T15:47:17.678-04:00</updated><title type='text'>The Lawyers’ Committee for Cultural Heritage Preservation Announces the Winners of its Annual Student Writing Competition</title><summary type='text'>&lt;!--[if gte mso 9]&gt;        &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     0   false         18 pt   18 pt   0   0      false   false   false                         &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     &lt;![endif]--&gt;  &lt;!--[if gte mso 10]&gt;   /* Style Definitions */ table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5083186104363958748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5083186104363958748'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/lawyers-committee-for-cultural-heritage.html' title='The Lawyers’ Committee for Cultural Heritage Preservation Announces the Winners of its Annual Student Writing Competition'/><author><name>agreenberg</name><uri>http://www.blogger.com/profile/15775054903691933736</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8835040809329547768</id><published>2011-10-15T15:49:00.000-04:00</published><updated>2011-10-15T15:49:49.193-04:00</updated><title type='text'>Nazi-Looted Art in a Small Museum</title><summary type='text'>The Mary Brogan Museum of Art and Science in Tallahassee, Florida has been feeling the effects of a poor economy like many other arts institutions.  As a smaller institution, the Brogan has felt these effects quite strongly.  The museum recently came into possession of a Nazi-looted artwork - and it was perhaps a blessing in disguise.  The museum was hosting a 50-piece exhibition of Baroque </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8835040809329547768'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8835040809329547768'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/nazi-looted-art-in-small-museum.html' title='Nazi-Looted Art in a Small Museum'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4348878187354147248</id><published>2011-10-15T13:05:00.000-04:00</published><updated>2011-10-15T13:05:12.200-04:00</updated><title type='text'>A Frieze Work Seized at the Border</title><summary type='text'>Art Law intersects with U.S. Customs Law more often than one might suspect.   Last week, a piece of an artwork was stopped at US border while making its way to the Frieze Art Fair New York.  The relevant piece of art was a hermit crab.  According to customs officials, the crab was inhabiting the shell of an endangered species.  They seized the crab and sent it to an aquarium in New York.      </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4348878187354147248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4348878187354147248'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/frieze-work-seized-at-border.html' title='A Frieze Work Seized at the Border'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6207948912749474744</id><published>2011-10-12T09:05:00.005-04:00</published><updated>2011-10-14T11:38:21.910-04:00</updated><title type='text'>'Chasing Aphrodite' Co-Authors Felch and Frammolino to Receive 2011 SAFE Beacon Award</title><summary type='text'>New York, NY (October 12, 2011) – SAFE/Saving Antiquities for Everyone, a New York City-based non-profit, will host a dinner honoring the recipients of the 2011 SAFE Beacon Award  Jason Felch and Ralph Frammolino, co-authors of Chasing Aphrodite: The Hunt for Looted Antiquities at the World’s Richest Museum (Houghton Mifflin, 2011) in recognition of their efforts to raise public awareness of the </summary><link rel='related' href='http://www.savingantiquities.org/event.php?eventID=257' title='&apos;Chasing Aphrodite&apos; Co-Authors Felch and Frammolino to Receive 2011 SAFE Beacon Award'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6207948912749474744'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6207948912749474744'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/chasing-aphrodite-co-authors-felch-and.html' title='&apos;Chasing Aphrodite&apos; Co-Authors Felch and Frammolino to Receive 2011 SAFE Beacon Award'/><author><name>Azure Wheeler</name><uri>http://www.blogger.com/profile/02462564700509012520</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-149858168877851553</id><published>2011-10-11T08:29:00.001-04:00</published><updated>2011-10-11T08:54:44.177-04:00</updated><title type='text'>Copyright Infringement in Beyonce's "Countdown"?</title><summary type='text'>Beyonce's new music video for "Countdown" was instantly praised for its iconic pop-cultural references.  One blog, The Hairpin, announced: "Bey channels Audrey Hepburn, Jennifer Beals, and Marcel Marceau (right?).  Hypnotic."  But a controversy over the video has arisen because Beyonce also channels Anne Teresa De Keersmaeker.  De Keersmaeker is a leading Belgian choreographer.  The video draws </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/149858168877851553'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/149858168877851553'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/copyright-infringement-in-beyonces.html' title='Copyright Infringement in Beyonce&apos;s &quot;Countdown&quot;?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-9047091694261576250</id><published>2011-10-10T11:15:00.000-04:00</published><updated>2011-10-10T11:15:36.514-04:00</updated><title type='text'>Walters Art Museum: Now Available Online</title><summary type='text'>Although it does not have a modern art collection, the Walters Art Museum is a very modern museum.  In 2006, it adopted a free admission policy and since then has not charged visitors to view its permanent collection.  Now, the museum has decided to make nearly all of its collection, almost 30,000 works, available online.  10,000 of these are already available for viewing at the Walters Art </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9047091694261576250'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9047091694261576250'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/walters-art-museum-now-available-online.html' title='Walters Art Museum: Now Available Online'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3705052659034269034</id><published>2011-10-10T09:33:00.000-04:00</published><updated>2011-10-10T09:33:25.473-04:00</updated><title type='text'>The Friends of the Barnes: A Last-Ditch Effort Denied</title><summary type='text'>As this blog reported in September, the Friends of the Barnes made a last-ditch effort to stop the Barnes Collection from moving to a new museum, which is set to open on May 19, 2012.  On Thursday October 6, Judge Stanley Ott ruled, again, that they have no legal standing to challenge the move.  Ott has made similar rulings in 2004 and again in 2008.  The Friends' latest challenge, filed in </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3705052659034269034'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3705052659034269034'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/friends-of-barnes-last-ditch-effort.html' title='The Friends of the Barnes: A Last-Ditch Effort Denied'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2641382811698219989</id><published>2011-10-10T08:21:00.000-04:00</published><updated>2011-10-10T08:21:28.026-04:00</updated><title type='text'>Nazi-Era Art Litigation: Orkin v Swiss Confederation</title><summary type='text'>On October 4, Orkin v Swiss Confederation was heard at the court of appeals for the second circuit in downtown Manhattan.  Plaintiff Andrew Orkin's great-grandmother, Margarethe Mauthner, had sold a work by Vincent Van Gogh to Swiss art collector Oskar Reinhart in 1933.  Orkin claims that his Jewish great-grandmother sold the pen-and-ink drawing under duress, and at an artificially low price, in </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2641382811698219989'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2641382811698219989'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/nazi-era-art-litigation-orkin-v-swiss.html' title='Nazi-Era Art Litigation: Orkin v Swiss Confederation'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3968728262361082416</id><published>2011-10-10T01:45:00.000-04:00</published><updated>2011-10-10T01:45:56.810-04:00</updated><title type='text'>Curious case of Mardirosian from MA</title><summary type='text'>The criminal bar must be proud. Robert  Mardirosian, a retired criminal lawyer who is already serving time for possession and transport of stolen paintings, is ordered to pay  over $3 million towards costs paintings' owner incurred,  recovering his stolen works.

The Saga
The Art Loss Register (ALR), London-based world’s largest private database of lost and stolen art, helped to recover the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3968728262361082416'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3968728262361082416'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/curious-case-of-mardirosian-from-ma.html' title='Curious case of Mardirosian from MA'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6843090066039680618</id><published>2011-10-10T01:25:00.001-04:00</published><updated>2011-10-10T01:26:34.391-04:00</updated><title type='text'>Odyssey Sequel -- En Banc Hearing for "Black Swan</title><summary type='text'>It might be time to say good bye to the summer but not to the Black Swan odyssey. Just last month, on September 21, Odyssey Marine Exploration, Inc., publicly traded company, announced that it will request an en banc  hearing before the Eleventh Circuit Court of Appeals  judges in the "Black Swan" case. Three judges of the Eleventh Circuit already dismissed the case but "baby needs new shoes" and</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6843090066039680618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6843090066039680618'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/odyssey-sequel-en-banc-hearing-for.html' title='Odyssey Sequel -- En Banc Hearing for &quot;Black Swan'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2174717467363197762</id><published>2011-10-10T01:20:00.000-04:00</published><updated>2011-10-10T01:20:08.800-04:00</updated><title type='text'>Morozov's Cezanne belongs to the Met - 70 years of precedent stands</title><summary type='text'>So what if you are the sole heir of a discerning art collector whose collection was seized by the Bolsheviks in the late 1910s? So nothing. Once the United States recognized the Soviet government, nationalization of private property of the Russian citizens became lawful in the eyes of the rest of the world. 
On September 22, 2011, the District Court for the Southern District of New York Court </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2174717467363197762'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2174717467363197762'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/morozovs-cezanne-belongs-to-met-70.html' title='Morozov&apos;s Cezanne belongs to the Met - 70 years of precedent stands'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7422542741934611798</id><published>2011-10-01T10:45:00.001-04:00</published><updated>2011-10-01T10:47:58.589-04:00</updated><title type='text'>New Copyright Bill in Canada</title><summary type='text'>As copyright is extended in Europe and restored in the U.S., it is set to be modernized in Canada.  Recognizing that digital technologies have outdated a lot of language and legal provisions in the Canadian Copyright Act, the current government plans to introduce the Copyright Modernization Act before Christmas, according to the CBC.  The Heritage Minister, James Moore, explained that the growing</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7422542741934611798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7422542741934611798'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/new-copyright-bill-in-canada.html' title='New Copyright Bill in Canada'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2870055193146078704</id><published>2011-10-01T09:37:00.000-04:00</published><updated>2011-10-01T09:37:15.501-04:00</updated><title type='text'>More About the Public Domain: Golan v Holder</title><summary type='text'>Last week, this blog discussed copyright extension in Europe.  A new E.U. Directive grants a longer term of protection to sound recordings, and would, amongst other things, prevent a trove of Beatles tunes from entering the public domain over the next few years.  However, the proper scope of copyright protection is a perennial issue for all countries with IP legislation, not just E.U. countries.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2870055193146078704'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2870055193146078704'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/10/more-about-public-domain-golan-v-holder.html' title='More About the Public Domain: Golan v Holder'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-578632618614573371</id><published>2011-09-26T00:18:00.005-04:00</published><updated>2011-09-26T12:43:33.090-04:00</updated><title type='text'>What To Do When Museums Face Tough Times: The American Folk Art Museum</title><summary type='text'>&lt;!--[if gte mso 9]&gt;        &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     0   false         18 pt   18 pt   0   0      false   false   false                         &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     &lt;![endif]--&gt;  &lt;!--[if gte mso 10]&gt;   /* Style Definitions */ table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/578632618614573371'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/578632618614573371'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/what-to-do-when-museums-face-tough.html' title='What To Do When Museums Face Tough Times: The American Folk Art Museum'/><author><name>agreenberg</name><uri>http://www.blogger.com/profile/15775054903691933736</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-666063493632042866</id><published>2011-09-24T14:52:00.000-04:00</published><updated>2011-09-24T14:52:29.164-04:00</updated><title type='text'>Cariou v Prince: a continuing controversy</title><summary type='text'>In March, this blog reported on the 2nd circuit's ruling on Patrick Cariou's lawsuit against appropriation artist Richard Prince.  Batts granted summary judgment in favor of Cariou on the issue of copyright infringement.  The court ordered Prince to destroy millions of dollars worth of his own artwork.  Prince appealed.  On September 15th, The United States Court of Appeals for the Second Circuit</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/666063493632042866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/666063493632042866'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/cariou-v-prince-continuing-controversy.html' title='Cariou v Prince: a continuing controversy'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8025391240055956197</id><published>2011-09-24T13:06:00.001-04:00</published><updated>2011-09-24T13:09:31.983-04:00</updated><title type='text'>Europe Extends Copyright</title><summary type='text'>On September 12, the European Commission passed a Directive extending the copyright on music recordings from 50 years to 70 years.  Each member state must implement the Directive through its own legislative measures.  Eight EU member states voted against the measure.  According to the New York Times, Belgium dissented: “A term extension is not an appropriate measure to improve the situation of </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8025391240055956197'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8025391240055956197'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/europe-extends-copyright.html' title='Europe Extends Copyright'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7299759376081344916</id><published>2011-09-24T11:13:00.000-04:00</published><updated>2011-09-24T11:13:58.218-04:00</updated><title type='text'>Counterfeit Logos and Fine Art</title><summary type='text'>The law continues to grapple with counterfeit fashion.  What Intellectual Property rights or other legal rights can fashion houses wield against those who appropriate their logos and designs?  Last week, major fashion house Chanel filed a lawsuit for cyberpiracy and trademark infringement against 399 internet retailers that were selling counterfeit items under its name.  However, many cases are </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7299759376081344916'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7299759376081344916'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/counterfeit-logos-and-fine-art.html' title='Counterfeit Logos and Fine Art'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7792137150677727023</id><published>2011-09-18T23:51:00.001-04:00</published><updated>2011-09-18T23:51:40.880-04:00</updated><title type='text'>The New Barnes to Open on May 19, 2012</title><summary type='text'>The Barnes Foundation is expecting to open its new doors in the new museum on May 19, 2011 regardless of the fact that there is yet another lawsuit by the Friends of the Barnes Foundation pending. As always, the Friends are demanding that the masterpieces should not be moved from their original suburban home to Philadelphia. 

To recall, the Barnes Foundation was established by an eccentric </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7792137150677727023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7792137150677727023'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/new-barnes-to-be-completed-on-may-19.html' title='The New Barnes to Open on May 19, 2012'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2010877786805514342</id><published>2011-09-12T09:45:00.003-04:00</published><updated>2011-09-12T09:45:31.329-04:00</updated><title type='text'>Who will Sketch the Plaintiff? Courtroom Sketch Artist's Resale Rights Violated</title><summary type='text'>

H. Jay Spiegel of H. Jay Spiegel &amp; 
      Associates, P.C. of Mt. Vernon, VA is representing Patricia ("Pat") Lopez, a long-time freelance courtroom sketch artist in a suit against the Associated Press (AP) and stock photo agency Getty Images for reselling her work in violation of her copyright. 


According to Spiegel, Lopez earns $300 to 
$500 for her sketches but retains the copyright. </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2010877786805514342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2010877786805514342'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/who-will-sketch-plaintiff-courtroom.html' title='Who will Sketch the Plaintiff? Courtroom Sketch Artist&apos;s Resale Rights Violated'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5085866343687494438</id><published>2011-09-12T09:24:00.001-04:00</published><updated>2011-09-12T09:46:44.780-04:00</updated><title type='text'>Are Artists Avoiding Taxes Everywhere?</title><summary type='text'>

Following a 9-year tax investigation, this August, the Norwegian artist, Odd Nerdrum, was sentenced to two years in prison 
without bail because he was found 
him guilty for tax evasion. According to the ArtDaily, critics claim that Nerdrum’s sentence was 
"surprisingly more severe than the punishment recently imposed in a 
similar case in China concerning the artist Ai Weiwei," who, after </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5085866343687494438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5085866343687494438'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/are-artists-avoiding-taxes-everywhere.html' title='Are Artists Avoiding Taxes Everywhere?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1640252318805889122</id><published>2011-09-11T23:26:00.001-04:00</published><updated>2011-09-11T23:26:32.424-04:00</updated><title type='text'>Body Painting in NY</title><summary type='text'>

Body painter Andy Golub has been attracting crowds in Times Square by using topless women as canvases. In New York, women are allowed to be topless in public. However, on July 30, Golub was arrested for public lewdness charges when two of his models were completely naked on the street. According to New York Penal Law, a person is guilty of public lewdness when he intentionally exposes the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1640252318805889122'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1640252318805889122'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/body-painting-in-ny.html' title='Body Painting in NY'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4165027933240808940</id><published>2011-09-11T22:03:00.000-04:00</published><updated>2011-09-11T22:03:09.197-04:00</updated><title type='text'>VLA fils an amicus brief in support of Kelley</title><summary type='text'>

Six months ago, on February 15, 2011, the United States Court of Appeals for the Seventh Circuit held that artist Chapman Kelley's sculpture, Wildflower Works, was "neither 'authored' nor 'fixed' in the senses required for copyright."  Kelley v. Chi. Park Dist.,
 635 F.3d 290, 304 (7th Cir. 2011). It reasoned that "...gardens are planted and cultivated, 
not authored. A garden's constituent </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4165027933240808940'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4165027933240808940'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/vla-fils-amicus-brief-in-support-of.html' title='VLA fils an amicus brief in support of Kelley'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-49356919215886638</id><published>2011-09-06T13:24:00.000-04:00</published><updated>2011-09-06T13:24:44.718-04:00</updated><title type='text'>Weisberg Appointed to the Commission for the Preservation of America's Heritage Abroad</title><summary type='text'>Richard H. Weisberg, Walter Floersheimer Professor of Constitutional Law at Cardozo School of Law was appointed by President Barack Obama to serve on the Commission for the Preservation of America's Heritage Abroad. In  this position, Professor Weisberg accesses the state of culturally important sites and the means to protect and preserve  such historic buildings, collections and monuments in </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/49356919215886638'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/49356919215886638'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/09/weisberg-appointed-to-commission-for.html' title='Weisberg Appointed to the Commission for the Preservation of America&apos;s Heritage Abroad'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7638834844241301417</id><published>2011-08-20T22:43:00.001-04:00</published><updated>2011-08-20T22:44:46.006-04:00</updated><title type='text'>Inspiration or Infringement: Gordon v McGinley</title><summary type='text'>This July, NY photographer Janine Gordon filed a lawsuit against another NY photographer, Ryan McGinley, for copyright infringement.  Her suit alleged that the copyright in 150 of her photographs had been infringed, and she demanded $30,000 in statutory damages per instance of copyright infringement.New York is a big city, but the art world is small.  According to Artnet, Gordon can trace the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7638834844241301417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7638834844241301417'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/08/inspiration-or-infringement-gordon-v.html' title='Inspiration or Infringement: Gordon v McGinley'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-686548395262302923</id><published>2011-08-20T21:44:00.001-04:00</published><updated>2011-08-20T21:46:28.794-04:00</updated><title type='text'>When Fine Art and Cartoons Mix: Spongebob Lawsuit</title><summary type='text'>Spongebob Squarepants appears to be a fairly docile creation, one that is more commonly found on toddler's paraphernalia than it is on the walls of galleries.  However, Spongebob's creator has recently been accused of committing a “a malicious and brutal assault and robbery" against a gallerist.   The characters on "Spongebob Squarepants" were designed by cartoonist Todd White, who has also </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/686548395262302923'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/686548395262302923'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/08/when-fine-art-and-cartoons-mix.html' title='When Fine Art and Cartoons Mix: Spongebob Lawsuit'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4099577557788884771</id><published>2011-08-18T23:45:00.003-04:00</published><updated>2011-08-18T23:58:42.419-04:00</updated><title type='text'>No One is Innocent but the Cow, or The Tale of a Callous Son</title><summary type='text'>Meet Cowless Met
In 2009, Monaco-based British collector Robert Wylde purchased Mark Tansey's "The Innocent Eye Test" for $2.5 million. Little did he know that this transaction would test more than his financial soundness and artistic taste. The painting turned out to be a promised gift to the Metropolitan Museum of Art ("the Met") from Charles Cowles and his mother Jan Cowles. The painting was </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4099577557788884771'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4099577557788884771'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/08/no-one-is-innocent-but-cow-or-tale-of.html' title='No One is Innocent but the Cow, or The Tale of a Callous Son'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Sxyjl1iNvjw/Tk3aUK2gqCI/AAAAAAAAKcs/BnsT_8BqZvI/s72-c/Screen+shot+2011-08-18+at+11.36.25+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2571246296900046427</id><published>2011-08-18T22:44:00.001-04:00</published><updated>2011-08-18T22:50:23.909-04:00</updated><title type='text'>Congress on Something -- Why not Resale Rights?</title><summary type='text'>
le droit de suite (the resale right) - VA from Pierre-Emmanuel Lyet on Vimeo.

US Congress' approval rating is low and to get some brownie points why not pass a federal law for artists' resale rights?* Recently, the Artists’ Rights Society (ARS), a copyright  and licensing collecting agency in the US, has renewed efforts to pass legislation securing royalties from resale of art for the artists </summary><link rel='related' href='http://www.theartnewspaper.com/articles/US-Congress-lobbied-over-resale-rights/24284' title='Congress on Something -- Why not Resale Rights?'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2571246296900046427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2571246296900046427'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/08/congress-on-something-why-not-resale.html' title='Congress on Something -- Why not Resale Rights?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8507991557921745606</id><published>2011-08-18T22:15:00.001-04:00</published><updated>2011-08-18T22:17:01.251-04:00</updated><title type='text'>Art Terrorized in DC, Encore</title><summary type='text'>Who: Susan Burns -- Repeat Offender
When: August 2011
What: Arrested slamming Henri Matisse's painting against a wall at Washington's National Gallery of Art

At first, Burns, 53-year old of Alexandria, VA was arrested in April for attacking a Paul Gauguin painting "Two Tahitian Women" and as a condition of her release in the spring, she reportedly promised to stay away from all museums and art </summary><link rel='related' href='http://www.washingtontimes.com/news/2011/aug/17/vandalism-national-gallery-of-art-added-security/?utm_source=RSS_Feed&amp;utm_medium=RSS' title='Art Terrorized in DC, Encore'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8507991557921745606'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8507991557921745606'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/08/art-terrorized-in-dc-encore.html' title='Art Terrorized in DC, Encore'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6393474456052645021</id><published>2011-08-07T22:42:00.002-04:00</published><updated>2011-09-06T13:30:48.554-04:00</updated><title type='text'>"Phony And Overvalued Russian Art" Impossible but Caveat Emptor</title><summary type='text'>
In July, a Luxembourg company, Arthur Properties S.A., filed a $6.5 million suit in the U.S. District Court for the Southern District of New York, against A.B.A Gallery, a New York-based art gallery specializing in 19th century, 20th century, and contemporary Russian works of art, alleging that the gallery and its owner, Anatol Bekkerman, inflated prices and sold fakes.

The complaint accused </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6393474456052645021'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6393474456052645021'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/08/phony-and-overvalued-russian-art.html' title='&quot;Phony And Overvalued Russian Art&quot; Impossible but Caveat Emptor'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-6UbimdsW3Jc/Tj85eR78NEI/AAAAAAAAKZ0/Utj4qn8ep18/s72-c/Screen+shot+2011-08-07+at+9.18.14+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6304294238172668839</id><published>2011-07-06T13:36:00.011-04:00</published><updated>2011-07-06T14:08:18.899-04:00</updated><title type='text'>Picasso drawing stolen in San Francisco</title><summary type='text'>Picasso's  "Tête de Femme" a pencil drawing, which is estimated at $200,000, was stolen from a San Francisco art gallery on Tuesday. The suspect was caught on surveillance video walking away with the drawing in hand. Police officials hope that by making this information available to the public it will increase the chances of recovering the painting. However, the gallery owner expresses his </summary><link rel='related' href='http://news.blogs.cnn.com/2011/07/06/200000-picasso-drawing-swiped-from-san-francisco-gallery/?&amp;hpt=hp_c2' title='Picasso drawing stolen in San Francisco'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6304294238172668839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6304294238172668839'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/07/picasso-drawing-stolen-in-san-francisco.html' title='Picasso drawing stolen in San Francisco'/><author><name>Melissa Sink</name><uri>http://www.blogger.com/profile/08843877585065573710</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8563161502054212099</id><published>2011-07-02T15:52:00.000-04:00</published><updated>2011-07-02T15:52:11.037-04:00</updated><title type='text'>Google Goggles &amp; Getty</title><summary type='text'>The team behind Google Goggles has partnered with the Getty Museum to provide information on paintings from the permanent collection, and the project has the potential to change the museum-going experience and to address the problems of orphan works.  Google Goggles has the ability to provide consumers with information about items they photograph using image recognition technology.  By capturing </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8563161502054212099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8563161502054212099'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/07/google-goggles-getty.html' title='Google Goggles &amp; Getty'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4731640886707561472</id><published>2011-06-28T08:43:00.002-04:00</published><updated>2011-06-28T21:34:55.359-04:00</updated><title type='text'>Supreme Court Nonplussed by Claimant Endeavor to Recover Art in Von Saher v. Norton Simon Museum of Art</title><summary type='text'>Yesterday, on June 27, 2011, the United States Supreme Court denied Marei von Saher's, heir of the famous art dealer, Jacques Goudstikker (1897-1940), petition to review the U.S. Court of Appeals of the 9th Circuit decision invalidating California statute extending time period for Holocaust victims to bring claims for return of Nazi-era looted art.  Von Saher v. Norton Simon Museum of Art, 578 F</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4731640886707561472'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4731640886707561472'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/supreme-court-nonplussed-by-claimant.html' title='Supreme Court Nonplussed by Claimant Endeavor to Recover Art in Von Saher v. Norton Simon Museum of Art'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5655421555592712044</id><published>2011-06-26T00:58:00.001-04:00</published><updated>2011-06-26T00:58:45.099-04:00</updated><title type='text'>Framing Fiduciary Duty in Marchig v. Christie's</title><summary type='text'>Oral arguments that took place on June 24, 2011 at 500 Pearl Street, a.k.a. 2nd Circuit Court of Appeals could have been dealing with two unconnected cases. Richard Altman, attorney for Mrs. Jeanne Marchig, argued that in certain circumstances auction houses owe fiduciary duty to their regular clients lasting so long as the relationship between the consignor and the dealer continues, a </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5655421555592712044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5655421555592712044'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/framing-fiduciary-duty-in-marchig-v.html' title='Framing Fiduciary Duty in Marchig v. Christie&apos;s'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8093260519981898871</id><published>2011-06-25T23:59:00.000-04:00</published><updated>2011-06-25T23:59:15.381-04:00</updated><title type='text'>Patty Gerstenblith Presidential Appointee to Chair CPAC</title><summary type='text'>On June 24, 2011, Office of The Press Secretary issued an announcement that Patty Gerstenblith, Distinguished Research Professor and Director  of the Center for Art, Museum and Cultural Heritage Law at DePaul  University College of Law in Chicago is the newly appointed Chairman of the  as a member of the United States Cultural Property Advisory Committee (CPAC).

Prof. Gerstenblith is the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8093260519981898871'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8093260519981898871'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/patty-gerstenblith-presidential.html' title='Patty Gerstenblith Presidential Appointee to Chair CPAC'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3780886010010519654</id><published>2011-06-25T02:50:00.000-04:00</published><updated>2011-06-25T14:51:20.376-04:00</updated><title type='text'>Copyright Fees: another riot in Canada?</title><summary type='text'>What if museums had to keep paying fees to display art that they have acquired and art that they have on loan?  Canadian Artists’ Representation/Le Front des Artistes Canadiens (CARFAC) and the Regroupement des Artistes en Arts Visuels du Québec (RAAV), are currently seeking to establish copyright fees for any works by Canadian artists displayed or owned by the National Gallery.  This movement </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3780886010010519654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3780886010010519654'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/copyright-fees-another-riot-in-canada.html' title='Copyright Fees: another riot in Canada?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8781418599241318</id><published>2011-06-24T20:54:00.000-04:00</published><updated>2011-06-24T20:54:37.516-04:00</updated><title type='text'>Sound bites: Art Basil 42 and Law</title><summary type='text'>


If you have five minutes, take a look at this promotional bit for minding law when dealing with art.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8781418599241318'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8781418599241318'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/sound-bites-art-basil-42-and-law.html' title='Sound bites: Art Basil 42 and Law'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-JGwkoIU-elw/TgUxppyuPSI/AAAAAAAAKP0/N0Wl4OQddgc/s72-c/Screen+shot+2011-06-24+at+8.53.04+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-553342498387418536</id><published>2011-06-19T14:44:00.000-04:00</published><updated>2011-06-19T14:45:03.859-04:00</updated><title type='text'>MoMA Down Under</title><summary type='text'>The Museum of Modern Art in New York [MoMA] and the Art Gallery of Western Australia [AGWA] have recently entered into a unique agreement.  AGWA will be showcasing items from MoMA's collection in a series of six exhibitions scheduled over three years, as if it were an international outpost.  The two museums have entered into a partnership which officially launches in June 2012.  The Modern </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/553342498387418536'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/553342498387418536'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/moma-down-under.html' title='MoMA Down Under'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4171651367550696726</id><published>2011-06-18T12:26:00.000-04:00</published><updated>2011-06-18T12:26:33.167-04:00</updated><title type='text'>The Spiral Jetty Lease</title><summary type='text'>Disputes often arise as to title of artwork, but title to the land on which the artwork sits rarely comes into play.  In 1970, Robert Smithson created the "Spiral Jetty", which extends 460 meters into the Great Salt Lake of Utah.  The Utah Department of Natural Resources administers a lease for this work, which sits atop state property.  In 1999, The Estate of Robert Smithson donated the work to </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4171651367550696726'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4171651367550696726'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/spiral-jetty-lease.html' title='The Spiral Jetty Lease'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6721554342458838833</id><published>2011-06-13T00:56:00.000-04:00</published><updated>2011-06-13T00:56:36.541-04:00</updated><title type='text'>Get Back: Arbitration Award Threatens Art Loans</title><summary type='text'>What does a blood plasma business have to do with art law? Well, after a 2008 Czech arbitration court ruling on the verge of enforcement against the Czech Republic for $500 million in compensation for thwarting trading perspectives of Diag Human, a firm dealing in blood plasma, the Czech Republic is rushing to recall its valuable works of art on loan in fear that the property may be seized (again</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6721554342458838833'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6721554342458838833'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/get-back-arbitration-award-threatens.html' title='Get Back: Arbitration Award Threatens Art Loans'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6034910490615248030</id><published>2011-06-12T14:15:00.001-04:00</published><updated>2011-06-13T06:26:35.253-04:00</updated><title type='text'>A Pissarro, Stolen and Forfeited</title><summary type='text'>Here is a tale of an art theft gone wrong.  Unfortunately, things have actually gone quite well for the thief.  In 1981, “Le Marché”, a work by Camille Pissarro, disappeared from the Museé Faure in Aix-les-Bains.  Four years later, Sharyl Davis bought the work from J. Adelman Antiques and Art Gallery, a Texas gallery, which had taken it on consignment from Emil Guelton.  In 2003, Ms. Davis put </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6034910490615248030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6034910490615248030'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/pissarro-stolen-and-forfeited.html' title='A Pissarro, Stolen and Forfeited'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8922567966535269507</id><published>2011-06-12T10:30:00.001-04:00</published><updated>2011-06-12T10:37:42.931-04:00</updated><title type='text'>Art and Commerce, United in Hong Kong</title><summary type='text'>Hong Kong is known as a great commercial center, but could it become a great cultural center?  "Hong Kong has no facilities that come close to the iconic theater districts, opera houses or museums of New York, London, Paris or Tokyo."  To remedy this, the government in Hong Kong has set aside 21.6 billion Hong Kong dollars, or about $2.8 billion, for the creation of the West Kowloon Cultural </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8922567966535269507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8922567966535269507'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/art-and-commerce-united-in-hong-kong.html' title='Art and Commerce, United in Hong Kong'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8139309876903439578</id><published>2011-06-05T23:50:00.000-04:00</published><updated>2011-06-05T23:50:46.498-04:00</updated><title type='text'>Let's Make Law! Proposed Amendment to the NY Arts and Cultural Affairs Law to Protect Consignments</title><summary type='text'>On April 15, 2011, Assembly Member Bing and other members of the New York Senate introduced an Act to amend the NY Arts and Cultural Affairs Law in an effort to protect the artists and their heirs when consigning art to galleries. The amendment was proposed by the Art Law Committee of the New York City Bar Association in the aftermath of the Salander-O'Reilly bankruptcy and other consigning </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8139309876903439578'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8139309876903439578'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/lets-make-law-proposed-amendment-to-ny.html' title='Let&apos;s Make Law! Proposed Amendment to the NY Arts and Cultural Affairs Law to Protect Consignments'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3293595466312992129</id><published>2011-06-05T23:35:00.001-04:00</published><updated>2011-06-06T08:06:00.289-04:00</updated><title type='text'>Solomonic Decision In Labor Disputes at the Guggenheim Abu Dhabi Site</title><summary type='text'>"If we build, it they will come," is a motto of the Abu Dhabi and Dubai developers. One of the ambitious projects in the United Arab Emirates (the UAE)is to bring art treasures to the region by collaborating with the small museums like the Louvre, Getty, and the Guggenheim in hopes of attracting more travelers and capitalizing on tourism.

The trouble with building the wonders of the world is </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3293595466312992129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3293595466312992129'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/solominic-decision-in-labor-disputes-at.html' title='Solomonic Decision In Labor Disputes at the Guggenheim Abu Dhabi Site'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2486848670831382086</id><published>2011-06-05T23:18:00.000-04:00</published><updated>2011-06-05T23:18:42.753-04:00</updated><title type='text'>Oy Vey: East and West Split along the Ai Weiwei Line</title><summary type='text'>Chinese artist, Ai Weiwei, remains under arrest more than two months after being detained on his way to Hong Kong last April. He is accused of economic crimes, specifically of tax evasion. However, the charges are unconvincing in light of Weiwei's criticism of the government and defiance of the mainland authorities. Artists and critics around the world have demonstrated their solidarity with </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2486848670831382086'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2486848670831382086'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/oy-vey-east-and-west-split-along-ai.html' title='Oy Vey: East and West Split along the Ai Weiwei Line'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4314464621822576024</id><published>2011-06-05T17:52:00.003-04:00</published><updated>2011-06-05T18:12:31.281-04:00</updated><title type='text'>Fashion: Intellectual Property, Good Business, and Human Rights</title><summary type='text'>The month of May saw a number of interesting intersections between fashion and law.Nathalie Atkinson at the National Post wrote an impassioned argument in favor of 'designer duplication.' She had previously received a note from Chanel's legal department: "A note of information and entreaty to fashion editors, advertisers, copywriters and other well-intentioned mis-users of our Chanel name. ... </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4314464621822576024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4314464621822576024'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/fashion-intellectual-property-good.html' title='Fashion: Intellectual Property, Good Business, and Human Rights'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1269928535940213771</id><published>2011-06-05T15:20:00.002-04:00</published><updated>2011-06-05T15:23:02.192-04:00</updated><title type='text'>Mike Tyson's Face as Art?</title><summary type='text'>It might be unusual to feature "Hangover II" and Mike Tyson on these pages, but it seems impossible to omit the copyright controversy that blew up around the film and the figure.In 2003, S. Victor Whitmill designed and tattooed Mike Tyson's face.  The creators of "Hangover II" thought it would be funny if one of their characters woke up in Bangkok with Tyson's tattoo on his face.  In April of </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1269928535940213771'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1269928535940213771'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/06/mike-tysons-face-as-art.html' title='Mike Tyson&apos;s Face as Art?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-5150229420465015056</id><published>2011-05-24T20:45:00.000-04:00</published><updated>2011-05-24T20:48:01.537-04:00</updated><title type='text'>Wikipedia as Cultural Heritage?</title><summary type='text'>Today, Wikipedia began a campaign for recognition and protection as UNESCO’s first digital World Cultural Heritage Site.UNESCO does recognize digital heritage, but is Wikipedia a suitable candidate?  The criteria for recognition as cultural heritage can be found at this link.  The site must be found to be a "masterpiece of human creative genius."As reported in the New York Times, UNESCO rules </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5150229420465015056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/5150229420465015056'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/wikipedia-as-cultural-heritage.html' title='Wikipedia as Cultural Heritage?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7581262091975349409</id><published>2011-05-24T20:12:00.000-04:00</published><updated>2011-05-24T20:13:38.736-04:00</updated><title type='text'>2011 Legal Issues in Museums Conference</title><summary type='text'>The annual conference on legal problems in museum  administration took place on March 22-24, 2011.  It was organized by the American Law Institute-American Bar  Association and sponsored by the Smithsonian Institution and the  American Association of Museums.The Art Newspaper provides a good overview of several legal issues addressed at the conference. First, problem gifts are seen as a real </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7581262091975349409'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7581262091975349409'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/2011-legal-issues-in-museums-conference.html' title='2011 Legal Issues in Museums Conference'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2609863847863250223</id><published>2011-05-17T22:21:00.000-04:00</published><updated>2011-05-17T22:22:24.625-04:00</updated><title type='text'>James Cuno at the Getty</title><summary type='text'>Museums are treasure chests full of artifacts with questionable histories.  Who is the rightful owner of these precious objects - the museums that have acted as their custodians, or the cultures that produced them?  Museums walk a delicate line between sharing cultures and exploiting them. The Getty Museum is in a particularly precarious position.  In 2001, the Getty museum's former antiquities </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2609863847863250223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2609863847863250223'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/james-cuno-at-getty.html' title='James Cuno at the Getty'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3738026171719095602</id><published>2011-05-10T18:43:00.000-04:00</published><updated>2011-05-10T18:44:06.754-04:00</updated><title type='text'>National Endowment for the "Arts", including Video Games?</title><summary type='text'>It was recently announced that the National Endowment for the Arts will be renaming its "Arts on Television and Radio" program "Arts in Media." The new program will include grants for video-game  creators, as well as for artists who create mobile and interactive  platforms.  This is tantamount to federal recognition of video games as "art,"  and the new program's new open-ended name leaves room </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3738026171719095602'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3738026171719095602'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/national-endowment-for-arts-including.html' title='National Endowment for the &quot;Arts&quot;, including Video Games?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8749765927641288367</id><published>2011-05-08T23:42:00.000-04:00</published><updated>2011-05-08T23:42:42.985-04:00</updated><title type='text'>The Performing Arts Businesses</title><summary type='text'>"It's no longer enough for performing arts centers to focus on what's on  stage," said Lawrence P. Goldman, the New Jersey Performing Arts  Center's founder, president and CEO.  So what else should they focus on?  Two major performing arts centers are looking for new business opportunities.Last week, Lincoln Center announced plans to act as adviser for developers of a new performing arts center </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8749765927641288367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8749765927641288367'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/performing-arts-businesses.html' title='The Performing Arts Businesses'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8724754272340480272</id><published>2011-05-08T18:26:00.000-04:00</published><updated>2011-05-08T18:26:17.965-04:00</updated><title type='text'>Digital Art as Cultural Heritage?</title><summary type='text'>There is a multitude of cultural groups around the world, and each group struggles to preserve its unique heritage and cultural creations as history proceeds.  Many of these cultures have embraced new technologies, both as functional tools and as artistic media.  How should digital creations be preserved, especially as the underlying technologies become obsolete?Digital technologies are </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8724754272340480272'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8724754272340480272'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/digital-art-as-cultural-heritage.html' title='Digital Art as Cultural Heritage?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1055403146024081174</id><published>2011-05-06T14:20:00.000-04:00</published><updated>2011-05-06T14:20:20.391-04:00</updated><title type='text'>Drawing Boundaries in the Art Market, since when?</title><summary type='text'>Not so long ago, somebody bright and curious could be an art collector, an art dealer and an art curator all at once. Take the late Stuart Cary Welch for example. However, the practices as well as the mores in the art field have changed over the last few decades and now one could not collect for one's own collection in the same field as one is curating on behalf of an institution or display art </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1055403146024081174'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1055403146024081174'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/drawing-boundaries-in-art-market-since.html' title='Drawing Boundaries in the Art Market, since when?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-oa_X_U-gCn8/TcQ7d60n9lI/AAAAAAAAKLc/Pyx6reYvdpM/s72-c/IMG_1560.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8879910747070637948</id><published>2011-05-05T23:24:00.003-04:00</published><updated>2011-05-15T18:22:41.541-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Leopold'/><category scheme='http://www.blogger.com/atom/ns#' term='Schiele'/><title type='text'>Those on the Market for a Graduation Gift Nota Bene -- Leopold Museum is to sell a Schiele</title><summary type='text'>On May 31, 2011, Cardozo will graduate its 33rd class of bright-eyed and bushy-tailed lawyers-in-the-making. One of these soon-to-be-grads once wrote an admission essay declaring that after getting a masters in art history she would go on to study law in order to litigate cases such as the seminal case dealing with ownership of Egon Schiele's Portrait of Wally (663 F. Supp. 2d 232, S.D.N.Y, 2009)</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8879910747070637948'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8879910747070637948'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/05/for-those-on-markt-for-graduation-gift.html' title='Those on the Market for a Graduation Gift Nota Bene -- Leopold Museum is to sell a Schiele'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-9157746910999755917</id><published>2011-04-30T22:35:00.004-04:00</published><updated>2011-05-08T16:52:13.478-04:00</updated><title type='text'>He Paints and Therefore He is on Display in CA and in Jail in NY</title><summary type='text'>According to Artnet Magazine and ArtDaily, Angel Ortiz, a graffiti artist who's works were featured this April at the Museum of Contemporary Art in Los Angeles, was unable to attend the exhibition opening because he was sent to Rikers Island Jail in New York for spray paining buildings in downtown Manhattan.

Ortiz confessed to the police "I went out to walk my dog, I brought a can with me -- I </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9157746910999755917'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/9157746910999755917'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/i-paint-therefore-i-pay-graffiti-artist.html' title='He Paints and Therefore He is on Display in CA and in Jail in NY'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6113259193722741200</id><published>2011-04-30T19:03:00.001-04:00</published><updated>2011-04-30T19:04:13.951-04:00</updated><title type='text'>Lincoln Center To Advise Chinese Developers</title><summary type='text'>On April 28, Lincoln Center announced plans to enter into a three-year agreement with the developers of a performing arts complex in Tianjin, China’s fifth largest city. The plans are currently embodied in a memorandum of understanding, and are subject to the completion of a binding agreement.What services will Lincoln Center be providing under the agreement?  The Center will recommend the </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6113259193722741200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6113259193722741200'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/lincoln-center-advises-chinese.html' title='Lincoln Center To Advise Chinese Developers'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-4938142429187138860</id><published>2011-04-26T18:39:00.001-04:00</published><updated>2011-04-26T18:41:07.881-04:00</updated><title type='text'>Klimt Stolen by Gestapo Returned to Victims' Heir</title><summary type='text'>Salzburg's Museum of Modern Art is returning a famous Klimt painting stolen by the Gestapo in 1941. According to the provincial government, Litzlberg on the Attersee is one of Klimts's best and most valuable works. While the Austrian government finds it hard part with such masterpieces, having given up other Klimt works as recently as 2006, it refuses to be a "beneficiary of a criminal regime."  </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4938142429187138860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/4938142429187138860'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/klimt-stolen-by-gestapo-returned-to.html' title='Klimt Stolen by Gestapo Returned to Victims&apos; Heir'/><author><name>Michael Massmann</name><uri>http://www.blogger.com/profile/04178009196729269224</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-DSF4EaRjPhU/TbdJ7p0MElI/AAAAAAAAADc/zKBq1bHrymI/s72-c/data.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-6505885890218499793</id><published>2011-04-25T17:11:00.000-04:00</published><updated>2011-04-25T17:11:16.162-04:00</updated><title type='text'>Larry Kaye of Herrick's Art Law Group to Receive Turkish American Business Forum Award</title><summary type='text'>On May 19, 2011, Larry Kaye will receive the 2011 Lifetime Achievement Award from the              Turkish American Business Forum in recognition of his service on behalf of Turkey, including the              recovery of the Lydian Hoard antiquities from the Metropolitan Museum of Art.

For more information about Herrick's Art Law Group and the Award, visit www.herrick.com/artlaw.</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6505885890218499793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/6505885890218499793'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/larry-kaye-of-herricks-art-law-group-to.html' title='Larry Kaye of Herrick&apos;s Art Law Group to Receive Turkish American Business Forum Award'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8009466270046647394</id><published>2011-04-24T11:28:00.000-04:00</published><updated>2011-04-24T11:28:09.351-04:00</updated><title type='text'>Trove of Cultural Property Laws: Where Would You Rather Find a Treasure Trove?</title><summary type='text'>Before you get out your spade, take stock of where you will be digging. Andreas K. from Wiener Neustadt located south of Vienna, was digging in his back yard when he discovered hundreds of pieces of centuries-old jewelry and other precious objects that Austrian authorities described simply "as a fairy-tale find." This find consists of rings, brooches, silver plates and other objects thought to be</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8009466270046647394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8009466270046647394'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/trove-of-cultural-property-laws-where.html' title='Trove of Cultural Property Laws: Where Would You Rather Find a Treasure Trove?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2369494075915025268</id><published>2011-04-23T18:00:00.001-04:00</published><updated>2011-04-24T10:51:04.265-04:00</updated><title type='text'>How could one be "causing the theft of" a painting?</title><summary type='text'>On April 21, 2011, an Egyptian court sentenced five state officials, including Mohsen Shaalan, former head of the state's fine arts department, to serve time in jail in relation to the theft of Van Gogh's "Vase with Viscaria." The painting, estimated at $55 million, was stolen in August 2010 from Mahmoud Khalil museum in Cairo.  According to the investigation it went missing due to inexcusably </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2369494075915025268'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2369494075915025268'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/how-do-you-causing-theft-of-painting.html' title='How could one be &quot;causing the theft of&quot; a painting?'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-7289434330479275835</id><published>2011-04-23T17:06:00.002-04:00</published><updated>2011-04-25T11:30:01.371-04:00</updated><title type='text'>Gagosian Takes on Avedon</title><summary type='text'>Gagosian Gallery is to become the exclusive, worldwide representative of the Avedon Foundation.Richard Avedon, who passed away in 2004, has been hailed as one of the greatest photographers of all time.  From his glamorous fashion photography to his revealing portraits of the American West, Avedon left behind an impressive body of work.  The Avedon Foundation, structured by Avedon during his </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7289434330479275835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/7289434330479275835'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/gagosian-snatches-up-avedon.html' title='Gagosian Takes on Avedon'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-8866469135357584161</id><published>2011-04-22T12:04:00.001-04:00</published><updated>2011-04-22T12:06:54.488-04:00</updated><title type='text'>Art Investment Funds</title><summary type='text'>When we think of the art market, we are likely to think of primary sales from artists to dealers, or secondary sales from galleries and auction houses to collectors.  But we should not overlook the practice of investing in art.   According to Noah Horowitz, "There is no better metric of [the health of the art market] than brimming activity in the art investment frontier."The economic downturn had</summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8866469135357584161'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/8866469135357584161'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/art-investment-funds.html' title='Art Investment Funds'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-2967231741394482513</id><published>2011-04-18T00:07:00.000-04:00</published><updated>2011-04-18T00:07:24.983-04:00</updated><title type='text'>No Statute of Limitation on Doing What's Right: First of Korean Royal Books Come Home 145 Years After Looting</title><summary type='text'>On April 14, 2011, some of Korean royal books looted by the French in 1866 were received by  National Museum of Korea in Seoul, South Korea. The books were not returned but rather sent per "renewable lease" agreement based on the French law on cultural assets. As reported by Korea.net, the lease means that the books were returned temporarily pursuant on a five-year renewable loan agreement. </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2967231741394482513'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/2967231741394482513'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/no-statute-of-limitation-on-doing-whats.html' title='No Statute of Limitation on Doing What&apos;s Right: First of Korean Royal Books Come Home 145 Years After Looting'/><author><name>Irina Tarsis</name><uri>http://www.blogger.com/profile/12207754519709283123</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-3293411256351751674</id><published>2011-04-16T17:52:00.002-04:00</published><updated>2011-04-16T18:00:59.798-04:00</updated><title type='text'>A Tobacco Warehouse in DUMBO: Public Park or Public Theater?</title><summary type='text'>New York might be rather enormous, but there's not much space here.   Who should decide how a space is used?  A recent court case causes us to ask, who should decide how an old Tobacco Warehouse in the Brooklyn neighborhood of DUMBO is used?DUMBO is a sort of mecca for artists in New York, with local real estate organizations such as Two Trees setting aside spaces specifically for artistic and </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3293411256351751674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/3293411256351751674'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/tobacco-warehouse-in-dumbo-national.html' title='A Tobacco Warehouse in DUMBO: Public Park or Public Theater?'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-310454435419294929.post-1540437959422565920</id><published>2011-04-16T13:20:00.003-04:00</published><updated>2011-04-16T17:23:07.979-04:00</updated><title type='text'>Prison Sentence for Leader of Giacometti Forgery Ring</title><summary type='text'>Last year, a bronze made by Alberto Giacometti broke the world record price for sale at auction.  It sold for $104.3 million.  If that is the price of buying a Giacometti, then what is the cost of forging one?A German art dealer has just been given a prison sentence of seven years for commercial fraud, falsification of documents and falsifying inscriptions on a set of statues purported to be by </summary><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1540437959422565920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/310454435419294929/posts/default/1540437959422565920'/><link rel='alternate' type='text/html' href='http://cardozoartlawsociety.blogspot.com/2011/04/prison-sentence-for-leader-of.html' title='Prison Sentence for Leader of Giacometti Forgery Ring'/><author><name>Caroline Camp</name><uri>http://www.blogger.com/profile/13924326531643322011</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
